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Music
and movement
To me music and motion are irrevocably linked. When I compose or play
I see pictures, colors and movement in more or less concrete situations,
dependent on the musical context.
I've always been interested in how music can influence and enhance
movement in dance, theater and film. Because of this I find great satisfaction
in working with musical drama.
To me there is music in all kinds of movement, and it isn't always
appropriate to destroy the movement by smothering it with music that
is not its own. Maybe that's why silence is such a powerful sound. Precisely
because there is music even in the silence of movement.
In the following you can see some visual productions I've been involved
in.


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Exstasis (Opus 5, 1991)
For Mezzo-soprano, violin,viola, violoncello, guitar, contrabass
and percussion.
Lyrics: Frode Barth (1968-)
Performed for the first time at NRK Television "U" 10. April,
1992
With permission from NRK "U" and TONO
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Do the Justice (1996)
Guitar solo from the video "No I'm Forever" (Barth/Dudurovic)
Frode Barth, Guitars
Vladimir Dudurovic, Vocal
Ronny Sveen, Bass
Louis Landa, Drums
FX: Stora
Foto/editing: Jan
Produced by Frode Barth
With permission
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Nordic Train (1995)
Animations from the TV documentary "Nordic Train"
Music: Frode Barth
Directed by: Ole Andreas Holen
Animations: Sølvpilen and Falk
Brodcasted for the first time by NRK Television "U" 30. August,1995
With permission from Sølvpilen and Falk, Eureka and TONO
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Beep (Live at Blue Monk 03. June, 1995)
Guitarsolo from "Softfocus" (Barth, Heimly and Holte)
BEEP are: Frode Barth, Guitars, Stein Holte, vocal, Ragnvald
Åheim, Bass and Knut Aalefjær, drums.
With permission from Torbjørn Holte and TONO
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Fra Tærne (1996)
A croquis performance with Kristin Søbstad
Lyrics: Erling Kittelsen (1946- )
Music: Frode Barth
Directed by: Morten Faldaas
Produced by Primadonna
With permission
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Pieta / Blomst (1995)
Commercial spots for The Tique Magazine
Music: Frode Barth
Directed by: Trond Berg-Nilssen
Produced by Viscom film and TV
Premiere in Norwegian Cinemas, March, 1995
With permission from Viscom and TONO
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